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Canon EOS C100 Mark II Digital HD Dual Pixel CMOS Camera with EF 24-105mm f4L IS II USM Lens

Original price was: €3,000.00.Current price is: €1,990.00.

Canon EOS C200B 8.85MP EF Mount 4K UHD Cinema Camera with Accessory Kit

Original price was: €5,000.00.Current price is: €3,950.00.
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Canon EOS C200 Cinema Camcorder Body with Touch Screen LCD, Handle & Grip – EF Lens Mount

Original price was: €5,000.00.Current price is: €3,990.00.

About Canon C200

Canon C200 Cinema Camcorder


The Canon C200 Digital Cinema Camera is an all-in-one, ready-to-film video production package. This prosumer camcorder includes an integrated electronic viewfinder, a 4-inch touchscreen LCD display monitor, a versatile operating handle, a comfortable hand grip, a mic holder, and an assortment of other useful accessories for your professional videography needs.


Equipped with a powerful 8.85MP Super 35mm CMOS sensor, this camera’s exceptional video recording capabilities include internal 4K RAW in Cinema RAW Light format (saved straight to a CFast™ 2.0 memory card), as well as UHD and FHD video recording in MP4 format. It also offers Dual Pixel CMOS AF, up to 13 stops of dynamic range, HDR capability, and complete compatibility with Canon EF-mount lenses. These allow the Canon C200 to deliver only high-quality imagery, optimum performance, and incredible versatility for film and TV production, news coverage, and even corporate and event videography.

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Canon 8.85MP Super 35mm CMOS Sensor


Built into the Canon EOS C200 is a high-performance 8.85-megapixel Super 35mm CMOS sensor, which supports the recording of cinema-grade DCI 4K videos at 4096 x 2160 resolution and enables Over Sampling HD Processing for Full HD 1080/60p and 2K DCI videos.

This powerful sensor also features an enhanced sensitivity to light, with each sensor pixel maintaining a wide pixel pitch to help maximize the available light that reaches the sensor. At the same time, the Canon EOS C200 boasts of improved noise reduction capabilities for minimal noise during extreme low-light recording, even at high ISO speeds of up to 102,400.


The sensor also offers reduced data-readout time to help eliminate rolling shutter distortions (also known as the “jello effect”) that can occur when shooting from a moving vehicle or while recording handheld with a long lens.

Full Compatibility with Canon EF-Mount Lenses


One major factor that contributes to the Canon C200’s creative potential as a filmmaking workhorse is its full compatibility with over 100 (new and existing) Canon EF and EF-S lenses. These include the brand’s specialized tilt-shift lenses, fisheye lenses, and 4K CN-E Cinema prime and zoom lenses such as the ENG-style CINE-SERVO and COMPACT-SERVO zooms. This significant improvement in EF lens communication capability allow compatibility with the Dual-Pixel CMOS AF technology for smooth and high-performance focus tracking; the display of CN-E Cinema lens T-values; access to lens metadata; and the correction of chromatic aberration.The camcorder also allows you to conveniently switch between camera displays to show aperture values either in F-stops, which is ideal for measuring light that reaches the sensor during still photography; or in T-values, which professional videographers find to be more traditional and accurate in measuring light when filming on movie sets. This feature makes it easy for beginners and professional photographers to transition from photography to videography, and vice versa.

Built-In Electronic Viewfinder with Touch Screen LCD Display


The EOS C200 Digital Cinema Camera features a built-in 1.77-million dot, 0.46-inch Electronic Viewfinder and a detachable and adjustable 1.23-million dot, 4-inch LCD Monitor with touchscreen capabilities (LM-V1). These components enable more convenient and flexible monitoring while shooting and allow you to instantly view previously captured media. The touchscreen display provides quick and easy access to menu options and camera controls, and enables fast focusing with a single tap of a finger.

Camera Grip (GR-V1)


The camera also features a Rosette-style grip that enables steady handling and focusing. For greater versatility, the ergonomic handle can easily rotate and be detached from the camera.

Handle Unit (HDU-2)


The handle features its own screw to enable fast and easy tool-less attachment to the EOS C200 body. It also offers the option to mount various accessories to accommodate different photographic and filming applications.


Dual Image Processors: DiG!C DV 6


The Canon EOS C200 Digital Cinema Camera features the newly developed Dig!c DV 6—the brand’s 6th generation image processor, which utilizes proprietary technology to ensure premium-quality output. Armed with not just one, but two of these powerful processors, the Canon C200 is able to deliver optimum imaging performance and high-resolution image data processing.

Over Sampling HD Processing


The Over Sampling HD Processing* system in the EOS C200 makes use of the camera’s powerful 4K image expression in 2K (2048 x 1080) and Full HD (1920 x 1080) video recording to meet a broad range of creative and professional video production needs.

*Not available with Cinema RAW Light recording or 120p/100p

Supports ISO Range of 100 to 102,400


The Canon EOS C200 Digital Cinema Camera supports an ISO range of 160 to 25,600. This range can be extended to 100 to 102,400 under the “Extended Sensitivity” option. Lower ISO values provide more creative freedom by enabling the use of large apertures for achieving shallower depths of field, while higher ISO values assist the user in achieving well-exposed images when shooting under low-light conditions.

Dual Pixel CMOS AF


The Canon C200 also features Canon’s breakthrough Dual Pixel CMOS AF Technology (DAF). This means that each sensor pixel is comprised of two independent photodiodes, which function together as one solitary pixel. These photodiodes have the ability to capture light independently of each other for better image reproduction and more accurate object detection.


With phase-difference AF, the C200 delivers smoother, faster, and more accurate focusing when using Canon EF lenses—thus providing greater ease for single-operator shooting.

Continuous AF+ and Face Detection AF+*


Using any Canon EF lens*, the EOS C200 allows quick AF with a single press of a button and locks it for continuous AF within 80% of the frame. Face Detection AF is also enabled for automatically tracking and maintaining focus on a person’s face anywhere within the frame. This camcorder also allows the user to set the AF tracking speed and response for greater accuracy.


*Excluding manual focus lenses

Dual Pixel CMOS AF with Touch Focus


Achieve quick and easy autofocus using the included Touch Screen LCD Monitor (LM-V!). To enjoy intuitive focusing, simply tap your subject (or background) on the screen with your finger to bring it into focus.

Dual Pixel Focus Guide


Using the Dual Pixel CMOS AF data, the EOS C200’s Dual Pixel Focus Guide is able to display focus assist information right on the screen. This advanced feature makes it even easier to achieve precise focus, especially when shooting ultra high-resolution 4K videos.

The Dual Pixel Focus displays a rectangle, which can be used for focusing on a subject. Once optimum focus has been achieved, the rectangle will turn green. If it is out of focus, the rectangle will turn gray and assistive arrows will help indicate the direction in which the lens should be adjusted to achieve the correct focus.

The Canon C200 also has a focus pre-set feature that allows the user to select separate predetermined focus points. Once the SET button is pressed, the lens will automatically move its focus from one preset focus point to another, providing ease during filming where the user has to focus on multiple subjects within a scene.

AF Tuning


Auto-Focus tuning is enabled thanks to the newly developed menu function, which provides easy access to settings for both the camcorder and lens. The AF Speed can be used to set the drive speed of the lens up to 10 steps and AF subject tracking can be varied and set to any of 7 steps, allowing the user to set their desired responsiveness when shooting a moving subject.

Internal 4K RAW Recording with New Cinema RAW Light


Featuring Canon’s brand new Cinema RAW Light recording format, the EOS 200 is capable of recording ultra high-definition 4K RAW videos and storing them as smaller files compared to standard RAW*1 files—but without compromising resolution and ensuring high color reproducibility and wide dynamic range.


*1 Standard RAW: EOS C500/EOS C300 Mark II/EOS C700 camera RAW


Cinema RAW Light files are only about 1/3 to 1/5 the size of standard RAW files. This format ensures smaller file sizes and reduced bit rate speeds, which allow for faster transfer of data, internal recording to CFast™ memory cards, extended storage capacity, and convenient file transfer via networks. With Cinema RAW Light’s high bit depth (10bit/12bit*2), retention of color and dynamic range information is maximized, which is crucial for HDR imagery.


*2 12bit for 4K/30p and under, 10bit for 4K/60p and 50p. Each bit is efficiency-optimized in consideration of visual properties


Cinema RAW Light files can be converted to other file formats, including DPS and Apple ProPres, for post-production and online delivery through the Canon CRD software.

Simultaneous Recording


The EOS C200 allows recording of 4K video to a CFast™ 2.0 memory card and 2K proxy video to an SD card at the same time. With its smaller file size, the 2K proxy file allows for easier editing during post-production.

Internal 4K UHD and Full HD Recording in MP4


This professional camcorder offers 4K UHD as well as Full HD video recording at up to 60fps in MP4 format. Thanks to the MP4 codec’s compact size, the camera can directly store captured images to any SD card.

Double SD Card Slots


Mirror recording of 4K UHD and Full HD images files in MP4 format is also possible. They are saved to two SD card slots at the same time, cutting precious minutes and eliminating the need to manually create copies after recording.

Full HD 120P/100P Slow-Motion Recording Support


High-speed video recording in Full HD at 120p/100p allows for endless possibilities in visual expression, including producing slow-motion videos and creative footage with special effects.

Professional Workflow


The EOS C200C Digital Cinema Camera is capable of supporting a variety of workflows for professional and commercial purposes. The Cinema RAW Light format provides the highest color fidelity and broadest dynamic range suitable for post-production work.

Onboard recording of MP4 files is also achievable for newsgathering and other recording applications where high image quality and post-production speed are crucial.

With the goal to support emerging HDR standards, the Canon C200 has been developed to support both ACES 1.0 and HDR imaging. Canon continues to closely collaborate with 3rd party developers to ensure full compatibility for new formats with NLE and grading systems.

Canon Cinema RAW Development 2.0


Years of advancement has led Canon to create Cinema RAW Development 2.0—a free and downloadable mature workflow that supports the new Cinema RAW Light format. The brand has also retained features from the previous release, such as HDR monitoring support, ACES 1.0, Canon Log Gammas, and more.

Canon RAW Plugin 2.0 for Avid® Media Access


The Canon RAW Plugin 2.0 for Avid® Media Access is also free to download. It allows users to import their Canon Cinema Raw data directly into an Avid Media Composer® System, resulting in a more efficient workflow, shorter import durations, and hassle-free, real-time playback

HDR Viewing


Recording in ITU-R BT.2100 standard (PQ) is supported by the EOS C200, as well as HDR onset monitoring using HDR compatible reference displays. The built-in Electronic Viewfinder can also be used to access the new View Assist feature for a reference view similar to the PQ standard. The View Assist feature enables the displayed dynamic range to be selected for 400% or 160% and linear display. With these innovations, operators can confidently shoot HDRs while being guided by previews of the end result.

ACES 1.0 Support*


The Academy Color Encoding System (ACES 1.0) is fully supported by the EOS C200 Digital Cinema Camera. Using Canon’s integrated device technologies, the camera can directly import images into ACES-compatible systems, including the brand’s full line of 4K UHD Reference Displays.


The ACESproxy also allows monitoring by sending video output that simulates ACES space to compatible screens or devices. Operators can modify the proxy output and save the changes for later use in editing and in the grading suite to accurately reproduce changes and color choices.


*0.7 not supported

In-camera ND Filter


The Canon EOS C200 Digital Cinema Camera is equipped with built-in neutral density filters for increased shooting versatility and speed. These unique photographic filters give operators more control over image exposure in bright shooting situations, especially when the use of large apertures is required to achieve shallow depths of field. Choose between any of these in-camera ND filters by pressing the ND FILTER + and – buttons located on the left side of the camera body.

The selection of ND filters is made possible by the camera’s internal, motorized assembly. It is made up of two rotating disks, with the glass ND filters situated behind the lens and in front of the camera sensor. The combination of these filters offers five options for neutral density—2, 4, and 6 stops in Normal Mode; 8 and 10 in Extended Mode.

RC-V100 Remote Control Support


Access and control camera settings on the C200 remotely with the Canon RC-V100 Remote Controller. This optional camera accessory, which can be plugged into the remote port on the rear panel, enables more convenient and versatile camera operations for more challenging productions.

Camera operators can adjust the focus, aperture, and zoom functions remotely by using the Link-up feature with CINE-SERVO lenses.

Updated Browser Remote Functions


In cases where the camera needs to be placed at a considerable distance away from the operator, such as on a crane or jib, the ability to remotely operate camera functions becomes critical. Carry out multiple camera operations by connecting your PC, tablet, smartphone, or any external smart device to the EOS C200 via the Browser Remote application.

Use the Browser Remote app to achieve accurate manual focus from a distance or to control a wide range of AF functions, including the ability to move the focus area by simply touching the screen of your connected tablet or smartphone.By using multiple external devices to access the Browser Remote app, users can have access to simultaneous live feeds. This enables the operator to focus on camera functions while another member of the production team monitors the action.

GPS Receiver (GP-E2)


The EOS C200 Digital Cinema Camera is compatible with the GPS Receiver (GP-E2). This optional accessory can be connected to the C200 via a USB cable and provides important GPS data, such as location and time information, for use in post-production and archiving.


Key Features

  • Resolution: 4K
  • Special Features: Interchangeable Lens, Touch Screen LCD
  • Sensor Type: CMOS Sensor
  • Recording Media: Uses CFast 2.0, Uses Secure Digital (SD)


Canon C200 Specifications

CMOS Sensor (single-panel) equivalent to Super 35mm
Total Pixels
Approx. 9.84 megapixels (4206 x 2340)
Number of Effective Pixels
Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1 080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1 080 is selected as the resolution
Lens Mount
Canon EF mount
Exposure Mode
(1) Manual exposure based on shutter setting, iris setting, ISO/gai n setting, and ND filter setting
(2) Push auto iris control, auto iris control (light metering syste m selection/AE shift possible)
Shutter Setting
Speed, Angle, Clear Scan, Slow, or Off mode selected
Either 1/3 or 1/4 steps selected as speed increment
Iris Setting
1) Manual setting in 1/2-step increments, 1/3-step increments or fine possible
(2) Push auto IRIS control*
(3) Auto IRIS control for these Lenses
EF lenses
EF-S 10-18mm f/4.5-5.6 IS STM
EF-S 18-55mm f/3.5-5.6 IS STM
EF-S 18-135mm f/3.5-5.6 IS STM
EF-S 55-250mm f/4-5.6 IS STM
EF-S 18-135mm f/3.5-5.6 IS USM
EF 24-105mm f/3.5-5. Cinema lenses
CN 7×17 KAS S/E1 CN 20×50 IAS H/E1
CN-E 18-80mm T4.4 L IS KAS S
CN-E 70-200mm T4.4 L IS KAS S
ISO Speed Setting
1 step, 1/3 step settings
[*100 – 160 – 25600 – *102400]
*When the sensitivity is expanded
Gain Setting
Normal [*-6dB – -2dB – 42dB – *54dB]
Fine: Setting in 0.5 dB step increments possible
*When the sensitivity is expanded
ND Filter
5 density settings (2, 4, 6, 8*, 10* stops)
*When expansion is selected
Focus Control
Dual Pixel CMOS AF supported, Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, Face Detection AF (only lenses that support AF functions can be used in any of these modes), Focus Guide
0.46″ (1.18 cm on the diagonal), color wide-screen organic EL displ ay
Approx. 1,770,000 dots (854 x RGB x 480), 100% field of view ratio
White Balance
AWB, Kelvin setting (setting range: 2000K to 15000K/-20CC to +20CC) , Daylight, Tungsten, Set A, Set B)
Frame Rate
(1) 59.94 Hz mode (59.94P/29.97P/23.98P)
(2) 50.00 Hz mode (50.00P/25.00P)
(3) 24.00 Hz mode (24.00P)
Dynamic Range
Canon Log 3: 1600% (ISO 800 or above)
Canon Log/Wide DR: 800% (ISO 400 or above)
Video Formats – RAW – Video
Codec: Cinema RAW Light
Resolution: 4096 x 2160
Bit Depth: 10 bit (59.94P/50.00P), 12 bit (29.97P/23.98P/25.00P/24. 00P) Bit Rate: 1 Gbps
Video Formats – RAW – Audio
Linear PCM: 16 bit / 48 kHz / 4 channels
Video Formats – MP4 – Video
Codec: MPEG-4 AVC/H.264
Resolution: 3840 x 2160 / 1920 x 1080
Bit Rate: 150 Mbps (3840 x 2160), 35 Mbps (1920 x 1080)
Color Sampling: YCC420 8 bit
Video Formats – MP4 – Audio
MPEG-4 AAC-LC (16 bit / 48 kHz / 2 channels)
Linear PCM (16 bit / 48 kHz / 4 channels)
Video Formats MP4 (Proxy) – Video
Resolution: 2048 x 1080
Bit Rate: 35 Mbps
Color Sampling: YCC420 8 bit
Recording Media
(1) CFast card (1 slot): RAW movies
(2) SD card (2 slots): Recording of MP4 movies, photos (JPEG), custom pictures, menus and other data possible
Time Code
Drop frame* or non-drop frame
Rec run, free run, regeneration
*In 59.94P/29.97P mode only
Rec Mode (MP4 Recording)
Slow motion recording, pre-recording, frame recording, interval rec ording
Other Recording Functions
(MP4 Recording)
Relay recording, double slot recording
Custom picture setting, black balance adjustments, color bars, peaking display, zebra display, My Menu setting, fan, waveform monitor display, assignable buttons (1-17), key lock, mark er display, enlarged display, custom display, peripheral illuminati on correction, GPS support (GP-E2), monaural microphone, and other functions
Playback Operations
Normal playback, fast forward (at speeds of ½5, ½15, ½60), fast rev erse (at speeds of ½5, ½15, ½60), frame forward, frame reverse, rec review
Playback – Clip Display
3×4 (clip) index screen (RAW/MP4/Photo)
Input only: REMOTE terminal, MIC jack, INPUT terminals (2 sets)
Output only: SDI terminal, HDMI OUT terminal, headphones jack, USB terminal, VIDEO terminal
Input/Output Control: Ethernet terminal
Power Supply
14.4 V DC (battery pack), 16.7 V DC (DC-IN)
Image Processing Platform
Dual DiG!C DV 6
Dimensions (width x height x depth)
Approx. 5.7 x 6.0 x 7.0 in. (144 x 153 x 179mm)
Approx. 7.0 x 6.0 x 8.0 in. (178 x 153 x 204mm) [With camera grip attached]
Approx. 13.2 x 10.8 x 10.8 in. (335 x 275 x 275mm) [With camera grip + LCD Monitor LM-V1 + LCD Attachment Unit LA-V1 + Handle Unit HDU-2 + mic holder unit attached]
Approx. 3.2 lb. (1430g)

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