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Canon EOS C200B 8.85MP EF Mount 4K UHD Cinema Camera with Accessory Kit

Original price was: €5,000.00.Current price is: €3,950.00.

Canon EOS R5 C Mirrorless Digital Cinema Camera Body

Original price was: €4,500.00.Current price is: €2,250.00.
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Canon EOS C200B Cinema Camcorder Body Only – EF Lens Mount

Original price was: €3,500.00.Current price is: €2,250.00.

About Canon C200

The EOS C200B Digital Cinema Camera comes as a standalone camera body, excluding the built-in electronic viewfinder, LCD monitor, handle and handgrip accessories that come with the EOS C200. This allows the user the flexibility to customize the camera with a wide range of accessories to fit their specific needs. The camera’s small form factor allows it to be used in tighter spaces, and more easily attached to a gimbal or drone.

The camera can record internal 4K RAW to a CFast™ 2.0 card in our new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200B ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera’s multitude of features help deliver outstanding image quality, performance and versatility.

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Canon 8.85 Megapixel Super 35mm CMOS Sensor

The EOS C200B Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD1080/60p recording


Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C200B camera’s sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout resulting in a reduction in rolling-shutter artifacts.

Fully Compatible with New and Existing Canon EF-Mount Lenses


A major aspect of the creative filmmaking potential of the EOS C200B Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon’s 4K CN-E Cinema prime and zoom lenses (including the “ENG-style” Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200B camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.It is possible to switch the display of the camera to show iris values between the F-stop and T-value. This is important for those that shoot on movie sets and prefer to know how much light is passing through the opening of the lens and actually making it to the sensor. T-values are the traditional measure of light reaching the sensor in video production, while F-stop is the measure of light in still photography. The ability to see the F-stop helps those transitioning from still to video shooting.The EOS C200B Digital Cinema Camera comes as a standalone camera body, excluding the built-in electronic viewfinder, LCD monitor, handle and handgrip accessories that come with the EOS C200. This allows the user the flexibility to customize the camera with a wide range of accessories to fit their specific needs.

The camera’s small form factor allows it to be used in tighter spaces and mounted into a variety of gyro-stabilized housings, robotic camera pedestals, on a crane or drone, remotely operated for surveillance activities, hidden inside a racecar or helicopter, or other hard-to-reach locations where the camera is not immediately accessible.



The customizable EOS C200B can be ideal for a variety of applications including film, documentary and television production, corporate and event videography, and newsgathering

Dual DiG!C DV 6 Image Processors

The EOS C200B Digital Cinema Camera features our newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data.

The two on-board DiG!C DV 6 image processors allow for the recoding of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon’s sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images.

Over Sampling HD Processing


The EOS C200B features Over Sampling HD Processing*, a high-image-quality signal processing system that satisfies a broad spectrum of video production needs by effectively utilizing the abundant powers of 4K image expression in 2K (2048 x 1080) / Full HD (1920 x 1080) recording.

*Over Sampling HD processing is not available with Cinema RAW Light recording or 120p/100p

ISO Range of 100 to 102,400 Supported
The EOS C200B supports an ISO range of between 160 and 25,600. That range expands to between 100 to 102,400 when the “Extended Sensitivity” is set on the camera. This range of ISO settings provide the user with more creative freedom. Low ISO values allow the user to use large iris settings and shallow depth of field, even in scenes of bright light. The higher ISO values provide the user with more flexibility in dimly lit situations.

Dual Pixel CMOS AF Technology
The EOS C200B Digital Cinema Camera features our Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor.

Each pixel in the camera’s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies- a major advantage during single-operator shooting.

Continuous AF+ and Face Detection AF+ with all Canon EF Lenses*
The EOS C200B has one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face Detection AF is another autofocus mode that can track a person’s face in the frame and maintain focus on them. To further fine tune AF performance, the EOS C200B offers the ability to set the AF tracking speed and response.

*Excluding manual focus lenses

Dual Pixel CMOS AF with Touch Focus
Achieve faster focus with the optional Touch Screen LCD Monitor (LM-V1), a new accessory with touch screen support. Tapping the area of the frame quickly brings the image into focus. This ability to choose the subject for focusing with the tap of the screen helps to make focusing intuitive.The camera also has a focus pre-set feature. Separate predetermined focus points can be selected and when the SET button is pushed, the lens will move focus from one mark to the other. This is especially useful when focusing in scenes with multiple subjects.

AF Tuning*


A newly developed menu function has been added for Auto-Focus tuning, allowing easy access to camera and lens settings. The AF Speed Tuning function allows users to set the lens drive speed to any of 10 steps. AF subject tracking characteristics can also be varied and set to any of 7 steps, allowing the user to select the appropriate responsiveness when changes have occurred in the subject.

*These features are built-in to the camera, but require the optional LCD Monitor (LM-V1) accessory to be accessed.

Internal 4K RAW Recording with New Cinema RAW Light
The EOS C200B Digital Cinema Camera features Canon’s newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to our standard RAW*1 files, while maintaining the same high resolution, high color reproducibility, and wide dynamic range data to provide dramatically greater freedom in grading and compositing.

*1 Standard RAW: EOS C500/EOS C300 Mark II/EOS C700 camera RAW

Cinema RAW Light files are about 1/3 to 1/5 the size of our standard RAW files. The smaller file size and reduced bit rate speed up data transfer and allow internal recording to CFast™ cards.

The reduced file size also helps users extend storage capacity and transfer files on a network more easily. The high bit depth of Cinema RAW Light (10bit/12bit*2) maximizes retention of color and dynamic range information, which is especially critical in HDR production.

*2 12bit for 4K/30p and under, 10bit for 4K/60p and 50p. Each bit is efficiency optimized in consideration of visual properties.

Cinema RAW Light files can be transcoded to other commonly used file formats, such as DPX or ProRes for later editing and online delivery using Canon’s CRD software.

Simultaneous Recording
4K video can be recorded to a CFast™ 2.0 card, while recording 2K proxy video to an SD card. The smaller file size of the 2K proxy file allows for easier editing.

Internal 4K UHD and Full HD Recording in MP4
The EOS C200B Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200B to capture images directly to low cost SD cards.

Double Slot Recording
Mirror recording of 4K UHD/Full HD MP4 image files to the camera’s two SD slots is also possible, saving time and effort of having to make copies of the data after recording.

Full HD 120P/100P Slow Motion Recording Support
The EOS C200B Digital Cinema Camera supports high-speed recording in Full HD at 120p/100p fps to enable additional creative freedom for slow motion replays and other special effects. It’s capable of a maximum 120fps, realizing even greater emotion in visual expression.

Professional Workflow


The EOS C200B Digital Cinema Camera offers a variety of professional workflows. The camera’s new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest color fidelity for post production work. Using Canon’s CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable.

MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority.

The EOS C200B supports both ACES 1.0 and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems.

Canon Cinema RAW Development 2.0
Canon has developed a mature workflow for the EOS C200B, Cinema RAW Development 2.0, which supports the new Cinema RAW Light format and is provided as a free download. In addition to new development process support, it also brings features from the previous release including support for HDR monitoring, Canon Log Gammas, ACES 1.0 and more.

Canon RAW Plugin 2.0 for Avid® Media Access
Canon RAW Plugin 2.0 for Avid® Media Access is provided as a free download, which allows users to directly import Canon Cinema RAW data into an Avid Media Composer® system. This helps streamline the workflow, while enabling stress-free real-time playback and reducing file ingest wait time.

HDR Viewing
The EOS C200B Digital Cinema Camera supports HDR recording in the ITU-R BT.2100 standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of our Canon 4K UHD Reference Displays. This allows operators to shoot HDR footage while getting a preview of the finished product.

In-camera ND Filter


The EOS C200B Digital Cinema Camera features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and – buttons on the left side of the camera.

The camera uses an internal, motorized ND assembly consisting of two rotating disks with glass ND filters between the rear of the lens and the front of the sensor. This combination of ND filters allows 5 steps of neutral density. In normal mode 2, 4 and 6 stops are available. In extended mode, 8 and 10 stops are also available. Neutral density filters allow the operator more control of exposure in bright scenes, especially where shallow depth of field is desired.

RC-V100 Remote Control Support


Camera settings can be accessed and controlled from a distance using Canon’s RC-V100 Remote Controller. The RC-V100 plugs into the EOS C200B through the remote terminal on the rear panel. This optional accessory allows image quality adjustments and camera operations to be set from a distance.

Focusing, aperture and zooming operations can also be performed remotely using the Link-up feature with Canon CINE-SERVO lenses.

Updated Browser Remote Functions


Some applications require the camera to be located a distance away from the operator, such as on a crane or jib. The ability to perform remote operation of camera functions in these situations can be critical. Multiple camera operations can be performed on the EOS C200B from a connected device (such as a pc, tablet or smartphone) by accessing the Browser Remote with a general-purpose browser.

A wide range of auto focus functions can also be controlled using the Browser Remote, including the ability to move the focus area with just a touch when using a compatible tablet or smartphone.

Manual focus can also be controlled from the Browser Remote, helping to ensure accurate focus from remote locations where manual focusing is not possible.

A live feed from the camera can be displayed simultaneously from multiple connected devices accessing the Browser Remote. One device can be used to check focus, while the client or director can monitor the live action from another compatible device.

GPS Receiver (GP-E2)


The optional GPS Receiver GP-E2 is compatible with the EOS C200B and can be connected to the camera using a USB cable, providing location and time information that is recorded during shooting. The GPS Data helps support editing work and adds more useful information for archiving purposes.


Key Features

  • Resolution: 4K
  • Special Features: Interchangeable Lens
  • Sensor Type: CMOS Sensor
  • Recording Media: Uses CFast 2.0, Uses Secure Digital (SD)


Canon C200 Specifications

CMOS Sensor (single-panel) equivalent to Super 35mm
Total Pixels
Approx. 9.84 megapixels (4206 x 2340)
Number of Effective Pixels
Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1 080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1 080 is selected as the resolution
Lens Mount
Canon EF mount
Exposure Mode
(1) Manual exposure based on shutter setting, iris setting, ISO/gai n setting, and ND filter setting
(2) Push auto iris control, auto iris control (light metering syste m selection/AE shift possible)
Shutter Setting
Speed, Angle, Clear Scan, Slow, or Off mode selected
Either 1/3 or 1/4 steps selected as speed increment
Iris Setting
1) Manual setting in 1/2-step increments, 1/3-step increments or fine possible
(2) Push auto IRIS control*
(3) Auto IRIS control for these Lenses
EF lenses
EF-S 10-18mm f/4.5-5.6 IS STM
EF-S 18-55mm f/3.5-5.6 IS STM
EF-S 18-135mm f/3.5-5.6 IS STM
EF-S 55-250mm f/4-5.6 IS STM
EF-S 18-135mm f/3.5-5.6 IS USM
EF 24-105mm f/3.5-5. Cinema lenses
CN 7×17 KAS S/E1 CN 20×50 IAS H/E1
CN-E 18-80mm T4.4 L IS KAS S
CN-E 70-200mm T4.4 L IS KAS S
ISO Speed Setting
1 step, 1/3 step settings
[*100 – 160 – 25600 – *102400]
*When the sensitivity is expanded
Gain Setting
Normal [*-6dB – -2dB – 42dB – *54dB]
Fine: Setting in 0.5 dB step increments possible
*When the sensitivity is expanded
ND Filter
5 density settings (2, 4, 6, 8*, 10* stops)
*When expansion is selected
Focus Control
Dual Pixel CMOS AF supported, Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, Face Detection AF (only lenses that support AF functions can be used in any of these modes), Focus Guide
0.46″ (1.18 cm on the diagonal), color wide-screen organic EL displ ay
Approx. 1,770,000 dots (854 x RGB x 480), 100% field of view ratio
White Balance
AWB, Kelvin setting (setting range: 2000K to 15000K/-20CC to +20CC) , Daylight, Tungsten, Set A, Set B)
Frame Rate
(1) 59.94 Hz mode (59.94P/29.97P/23.98P)
(2) 50.00 Hz mode (50.00P/25.00P)
(3) 24.00 Hz mode (24.00P)
Dynamic Range
Canon Log 3: 1600% (ISO 800 or above)
Canon Log/Wide DR: 800% (ISO 400 or above)
Video Formats – RAW – Video
Codec: Cinema RAW Light
Resolution: 4096 x 2160
Bit Depth: 10 bit (59.94P/50.00P), 12 bit (29.97P/23.98P/25.00P/24. 00P) Bit Rate: 1 Gbps
Video Formats – RAW – Audio
Linear PCM: 16 bit / 48 kHz / 4 channels
Video Formats – MP4 – Video
Codec: MPEG-4 AVC/H.264
Resolution: 3840 x 2160 / 1920 x 1080
Bit Rate: 150 Mbps (3840 x 2160), 35 Mbps (1920 x 1080)
Color Sampling: YCC420 8 bit
Video Formats – MP4 – Audio
MPEG-4 AAC-LC (16 bit / 48 kHz / 2 channels)
Linear PCM (16 bit / 48 kHz / 4 channels)
Video Formats MP4 (Proxy) – Video
Resolution: 2048 x 1080
Bit Rate: 35 Mbps
Color Sampling: YCC420 8 bit
Recording Media
(1) CFast card (1 slot): RAW movies
(2) SD card (2 slots): Recording of MP4 movies, photos (JPEG), custom pictures, menus and other data possible
Time Code
Drop frame* or non-drop frame
Rec run, free run, regeneration
*In 59.94P/29.97P mode only
Rec Mode (MP4 Recording)
Slow motion recording, pre-recording, frame recording, interval rec ording
Other Recording Functions
(MP4 Recording)
Relay recording, double slot recording
Custom picture setting, black balance adjustments, color bars, peaking display, zebra display, My Menu setting, fan, waveform monitor display, assignable buttons (1-17), key lock, mark er display, enlarged display, custom display, peripheral illuminati on correction, GPS support (GP-E2), monaural microphone, and other functions
Playback Operations
Normal playback, fast forward (at speeds of ½5, ½15, ½60), fast rev erse (at speeds of ½5, ½15, ½60), frame forward, frame reverse, rec review
Playback – Clip Display
3×4 (clip) index screen (RAW/MP4/Photo)
Input only: REMOTE terminal, MIC jack, INPUT terminals (2 sets)
Output only: SDI terminal, HDMI OUT terminal, headphones jack, USB terminal, VIDEO terminal
Input/Output Control: Ethernet terminal
Power Supply
14.4 V DC (battery pack), 16.7 V DC (DC-IN)
Image Processing Platform
Dual DiG!C DV 6
Dimensions (width x height x depth)
Approx. 5.7 x 6.0 x 7.0 in. (144 x 153 x 179mm)
Approx. 7.0 x 6.0 x 8.0 in. (178 x 153 x 204mm) [With camera grip attached]
Approx. 13.2 x 10.8 x 10.8 in. (335 x 275 x 275mm) [With camera grip + LCD Monitor LM-V1 + LCD Attachment Unit LA-V1 + Handle Unit HDU-2 + mic holder unit attached]
Approx. 3.2 lb. (1430g)

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