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Olympus OM-D E-M1X Mirrorless Camera Body With M.Zuiko ED 40-150mm F2.8 Pro Lens

Original price was: €4,000.00.Current price is: €2,990.00.
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Olympus OM-D E-M1X Mirrorless Digital Camera Body with M. Zuiko Digital ED 300mm F4.0 IS Pro Lens

Original price was: €5,500.00.Current price is: €3,950.00.
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Olympus OM-D E-M1X Mirrorless Digital Camera Body

Original price was: €2,700.00.Current price is: €1,950.00.

About Olympus OM-D E-M1X

DON’T JUST SHOOT WITH OUR CAMERAS. BREAK FREE.

 

Break Free represents a lifestyle of expanded creativity, flexibility, and originality. Declare your freedom from heavy cameras, bulky lenses, and move into our lightweight portable system.

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Description

Olympus OM-D E-M1X Mirrorless Digital Camera

 

The Olympus OM-D E-M1X is a versatile, fast, and highly reliable Micro Four Thirds mirrorless camera that offers a wide range of imaging capabilities to suit the needs of beginner and professional shooters. It features a high-resolution 20.4MP Live MOS sensor and two TruePic VIII image processors, providing excellent imaging power for continuous shooting (up to 60 frames per second), cinema-grade DCI 4K video recording, an extended ISO sensitivity range of 25600, and up to 7.5 stops of camera shake with its 5-axis sensor-shift image stabilization system. To complement the sensor design, the camera also has 121 cross-type phase-detection points and 121 contrast-detection areas to ensure fast and accurate autofocus performance.

ABSOLUTE CONFIDENCE

When we first introduced our mirrorless OM-D camera family, we opened new possibilities for photographers everywhere. Today, the revolution continues with the OM-D E-M1X. It’s a pro level camera with features designed to take your work to exciting new places. The E-M1X is packed with innovative tech, like world-leading image stabilization, AI-based Intelligent Subject Detection AF, and a handheld ultra-high resolution shooting mode. It’s all packaged in a compact, lightweight, weathersealed system that has the speed and accuracy you need to make quick work of challenging assignments. The E-M1X. Count on it to bring your very best vision and creativity to life. We’re so confident in the reliability of the E-M1X, we’re offering a free Two Year Extended Warranty.

ALC: Olympus Announces the OM-D E-M1X Micro Four Thirds Camera With an Integrated Vertical Grip, World’s Highest Image Stabilization & More

Today, Olympus announced its all new, ultra-portable, Micro Four Thirds system — the OM-D E-M1X — further committing to its trusted Live MOS 20.4MP sensor. This time, however, Olympus has surrounded it with a more dynamic and durable frame. This innovative technology and revolutionary speed is designed to forever change the way you take photos…..

BUILT TO DO ONE THING PERFECTLY: NEVER MISS

It’s comfortable. It’s reliable. It’s weathersealed. Most importantly, it’s shooting all day and always getting that critical shot.

COMPACT & LIGHTWEIGHT

The E-M1X and our M.Zuiko PRO lenses are designed on a groundbreaking mirrorless platform enabling us to build lighter, smaller cameras that pack powerful performance. Compared to flagship DSLR bodies and lenses, this system is half the size, half the weight, and a lot less bulky. The advantages? More mobility to get better shots. Unparalleled handheld shooting. Working longer without tiring. Stowing more gear in a smaller bag. Our full line of M.Zuiko PRO lenses deliver incredible imaging power in half the size of 35mm glass. It all adds up to a more creative shooting experience that lets you get more from every shoot.

WEATHERSEALED PERFORMANCE

Concentrate on taking the perfect shot instead of protecting your camera from the elements. Thanks to sturdy magnesium alloy construction and an advanced system of seals, the E-M1X has best-inclass weather protection – innovations successfully used in our durable Tough cameras. Each of the camera’s access points, including the SD card slots, are protected by a splashproof cover. A dustproof design means worry-free shooting on windy days at the beach or extreme environments. You can keep working even if temperatures plummet: the E-M1X is freezeproof down to 14°F / -10°C.

INTEGRATED VERTICAL GRIP

The E-M1X is built for comfort. It starts with an integrated vertical grip featuring a deep finger rest that feels secure and comfortable in your hand. Buttons and controls are strategically placed for both vertical and horizontal shooting – use the same finger motion to find the controls no matter how you hold the camera. Operate the camera without taking your eye off the viewfinder because buttons and controls are identifiable by touch. All button functions can be customized and the C-LOCK (custom lock) feature locks only the buttons you want and keeps the others active.

USB TYPE-C PD CHARGING

The E-M1X has 2 long life, high-capacity batteries that can be charged via USB cable in about 2 hours. The at-a-glance display lets you keep an eye on battery status.

HEAT DISSIPATION SYSTEM

Shooting 4K video and capturing sequential shots at high speeds heat up a camera. An ingenious heat dissipation system keeps the E-M1X cool and fully functional.

MY MENUS INTERFACE

Designed with input from top pros, the My Menu feature lets you instantly access up to 35 commands. Adding, removing or moving a command in your customized menu is as easy as pressing a button.

FIELD SENSOR SYSTEM

The E-M1X is conveniently equipped with GPS, a barometer, a compass, and a temperature sensor. Sensor data is displayed in real time and recorded for easy image management – a helpful feature while shooting nature or wildlife.

DO MORE THAN CAPTURE AN IMAGE. COMMAND ATTENTION.

HANDHELD & BLUR-FREE

The E-M1X uses the industry’s most sophisticated stabilization system found in an interchangeable lens camera. Our groundbreaking in-body 5-Axis Image Stabilization system provides 7.0 stops of compensation freeing you to shoot handheld, telephoto or macro in any light for crisp, clear photos without a tripod. When you pair the camera with a stabilized M.Zuiko PRO lens, the combined 5-Axis Sync IS system produces the world’s most effective image stabilization system providing up to 7.5 stops of compensation. It lets you take blur-free handheld shots as long as 4 seconds. There isn’t another pro camera system that offers so much mobility and flexibility.

HANDHELD HIGH RES SHOT

Sometimes you can use a tripod, sometimes you can’t. The E-M1X brilliantly captures super high resolution images either way. When using the E-M1X’s High Res Shot Mode with a tripod, the camera’s image sensor automatically moves in 0.5 pixel increments while taking eight shots in under a second, then merges them to create one 50MP high resolution shot. No tripod? With Handheld High Res Shot Mode, 16 shots are automatically taken while you hold the camera, then merged into a single 50MP image.

OUR MOST POWERFUL PROCESSING

The E-M1X is equipped with two quad core TruePic™ VIII image processors built for speed and reliability. You’ll experience instantaneous start-up and write speeds to dual card slots, exhilarating autofocusing plus blazing sequential shooting. Besides speed, the processors deliver off-the-chart image quality highlighted by true-to-life color, edge-to-edge sharpness and vibrant gradations. Both processors work in tandem with a high-speed 20MP Live MOS Sensor featuring an Anti-Reflection Coating to reduce flaring and ghosting directly on the sensor.

LIVE ND MODE

Preview slow shutter effects in the viewfinder before shooting. Live ND Mode eliminates swapping ND filters for each shooting scene or lens. Choose from 5 ND levels starting from 1EV to 5EV.

FOCUS STACKING & BRACKETING

Use the Focus Stacking & Bracketing Modes to take sharp macro photos with a deep depth of field. With in-camera Focus Stacking, the E-M1X automatically captures several shots with varying focal points, then merges them to form a single image with edge-to-edge clarity. It’s ideal for shooting plants, insects or small objects.

ANTI-FLICKER MODE

Capture brighter indoor shots. Anti-Flicker Mode compensates for artificial light by automatically activating the shutter at peak brightness to smooth exposure and color difference between frames.

SUPERSONIC WAVE FILTER

Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter oscillates 30,000 times per second to instantly shake dust and dirt away.

OUR AUTOFOCUS IS SO MUCH MORE THAN JUST ACCURATE. IT’S INTELLIGENT.

UNFAILING ACCURACY

Our autofocus system relies on the quantity and quality of detection information. That’s why our Frequency Accelerating Sensor Technology (F.A.S.T.) AF system boasts 121 points of on-chip Phase Detection plus Contrast Detection AF across the sensor plane. Every point is cross-type, enabling dependable detection of vertical and horizontal lines for industry-leading accuracy. It’s advanced technology to ensure you’ll easily lock focus on any subject in any environment.

INTELLIGENT SUBJECT DETECTION AF

Imagine your camera’s AF system being able to detect and lock on to subjects all by itself. That’s Intelligent Subject Detection AF. Developed using AI-based Deep Learning Technology, it detects specific subjects like a speeding formula car or rally car, motocross racer and flying aircraft. Choose from three modes: Motor Vehicles, Aircraft or Trains. The system pinpoints, then focuses on one part of a subject — a driver’s helmet, a pilot or an engineer. You only need to compose your shot.

CUSTOM AF TARGET

You can customize AF targeting in addition to using the AF Target Mode presets. Choose from any odd number of points from 11 vertical and 11 horizontal and from three levels of horizontal and vertical area movement steps. Achieve new levels of pinpoint accuracy that enhances one of the world’s best AF systems.

AF TARGET MODES

Use the new 25-point AF Target Mode to track moving subjects like birds or small animals. It joins 5 other AF target presets including Single, Group 5-point, Group 9-point, 121 point and Small AF.

JOYSTICK MULTI SELECTOR

Accurately capture moving subjects as you look through the viewfinder. A convenient multi selector lets you shift your AF area while shooting sequentially or capturing video.

FACE & EYE PRIORITY AF

When you’re shooting portraits with a bright prime lens, just switch on Face and Eye Priority AF to capture images with stunning sharpness and spectacular detail.

SO FAST, IT’S WAY AHEAD OF YOUR EXPECTATIONS.

Professional photographers crave speed. And the E-M1X delivers. We’ve built this camera so you can effortlessly capture the fastest moving subjects on earth.

BLAZING CONTINUOUS SHOOTING

The E-M1X generates sequential shooting speeds that surpass any DSLR. Using the silent electronic shutter, you can capture up to 60 fps of 20MP RAW image files in S-AF Mode and 18 fps in C-AF Tracking Mode. Or switch to the mechanical shutter to shoot high resolution photos at a blazing 15fps in S-AF Mode with best-in-class speed. It’s all possible thanks to dual image processors that ensure the fastest subjects are captured in sharp detail.

ZERO-LAG PRO CAPTURE

Shooting split second action is effortless with Pro Capture Mode. It starts buffering a running series of up to 35 high resolution images the moment you press the shutter button halfway. When you see the moment you want to capture, fully press the shutter button to instantly save that moment plus the buffered shots. Because you can go back 35 frames, you get the split second image you want without any lag. Never miss an exciting moment again.

HIGH SPEED EVF

What you see is what you get with our Electronic Viewfinder. There’s a four element optical system of aspherical and high refractive index lenses that provide an industry best 0.83x (35mm equivalent) of magnification for edge-to-edge, distortion-free display. The EVF works with Live View, letting you see setting changes in real time. Key settings are unobtrusively displayed so you can focus on framing your subject. A barely perceptible minimum lag of 0.005 seconds lets you chase fast-moving objects with ease.

SILENT MODE

Silent Shutter Mode shuts off all shutter and electronic sounds. Perfect for when you need to be discrete in quiet settings.

DUAL UHS-II CARD SLOTS

The E-M1X’s dual TruePic™ VIII Image Processors drive two UHS II compatible slots that deliver breathtaking data transfer speeds. A staggered layout makes access easy. The four recording settings are ideal for backup and management of your image and video files

400K SHUTTER LIFE

Talk about durability. Our internal rigorous testing proves that the E-M1X’s shutter has a reliable lifespan of more than 400,000 actuations.

WI-FI & BLUETOOTH CONNECTIVITY

Built-in Wi-Fi and Bluetooth makes sharing simple. Our free OI.Share app syncs the E-M1X to your smart device. Compose images, adjust settings, shoot remotely and upload your photos and videos.

BE MORE MOBILE. SHOOT BETTER MOVIES.

SMOOTHEST HANDHELD 4K

Don’t be weighed down by tripods, jibs, or other bulky stabilizing gear. The E-M1X is equipped with in-body 5-Axis Image Stabilization to compensate for all 5 types of camera of movement while capturing video. As an extra measure, electronic stabilization helps you shoot ultra-smooth C4K or 4K video with nothing but your hands and talent.

HIGH BIT RATE RECORDING

The E-M1X lets you shoot a variety of frame sizes from standard HD to FHD up to C4K/4K. Capture C4K (4096 x 2160) up to a max bit rate of 237 Mbps at a 24P frame rate for true cinema quality. Be more flexible by shooting in 4K (3840 x 2160) video with a 30P, 25P or a 24P frame rate.

OM-LOG

Lighting can change quickly, especially when you’re working on the fly. Shooting with OM-Log Mode compared to Flat maximizes dynamic range to keep your video clean and crisp without losing details in shadow or highlights. A new Look Up Table lets you easily grade your color using Davinci Resolve post-production software.

C4K FORMAT

Get cinematic. Shoot in an aspect ratio of 4096 x 2160 for display on the biggest screens. It’s slightly wider than standard 4K, but considerably more spectacular to view.

CLEAN HDMI OUT

An HDMI monitor connection supports clean 4:2:2 output, giving you an expanded range for color correction.

PHASE DETECTION AF FOR VIDEO

Phase Detection AF uses improved algorithms to ensure fast and accurate focusing while shooting video. Choose from four AF target modes – Single, 121-point, Group 9-point or Group 25-point – plus three AF tracking sensitivity/speed settings.

Features

Key Features

  • Sensor Size: Micro Four Thirds Format
  • Resolution: 20 MP
  • Max Video Quality: 4K 30fps
  • Lens Included: Without Lens
  • In-Body Stabilization: 5-Axis Optical
  • Configuration: Body Only
  • WiFi: Yes
  • Edition: Standard

Spesifications

Olympus OM-D E-M1X Specifications


Sensor / Dust ReductionJump to…

Sensor Type
4/3″ Live MOS Sensor
Effective Pixels
20.4 million
Total Pixels
21.8 million
Aspect Ratio & Area
4:3 / 17.4 x 13.0mm
Dust Reduction
Super Sonic Wave Filter

ProcessorJump to…

Processor Type
Dual TruePicTM VIII

Focusing SystemJump to…

AF System Type
High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination; When a Micro Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled).
AF Working Range
EV -3.5~20 (ISO approx.100, with a f/2.8 lens)
Focusing Points / Focusing Points Select
121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable)
Focus Modes
Single AF (S-AF)1 / Continuous AF (C-AF)1 / Manual Focus (MF) / AF tracking (C-AF + TR)1 / Preset MF2
1 AF+MF selectable
2 Distance setting values are rough estimates and not compatible lens except the AF lens.”
AF Limiter
Available (Fn button can be assigned to On/Off; can save 3 distance settings)
Distance setting values are rough estimates.
AF Performance
C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start
Magnified Frame
3x , 5x , 7x , 10x , 14x
Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more.
Super spot AF
Available(Contrast AF in center of the monitor when magnified)
Available only when a Micro Four Thirds lens is attached.
Face Detection AF / Eye Detection
Available
Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
Intelligent Subject Detection AF
Available.
Formula cars, rally cars, motorcycles, aircrafts, helicopters, bullet trains, standard trains, steam locomotives”
AF Targeting Pad
Available
(activate / deactivate with double tap on rear monitor)
Manual Focus Assist
Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
Peaking Function
Activate with Fn button or focus ring
Change peaking settings using the Info button
Color selection: white, black, red, yellow,
Intensity selection: high, normal, low,
Back light effect: on, off
AF Focus Adj.
Adjust all, adjust by lens (for Phase detection AF only)”
AF Illuminator
Available

Image StabilizationJump to…

System Type
Built-in 5-axis sensor-shift image stabilization for movie and still photos
yaw/pitch/roll/vertical shift/horizontal shift
Modes
4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
Live View Image Stabilization
Activation by half-pressing shutter button or pressing AEL/AFL button, enlarging view
Focal Length Setting
11 settings: 10 programmable settings (10 lenses), 1 open setting
IS for Live View Image
Activation by half-pressing shutter button or enlarging view
5-Axis Sync IS
Available
When using M.Zuiko Digital lenses equipped with image stabilization
Stabilization Performance
7.0 EV
Based on CIPA measurement conditions. When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm))
7.5 EV
Based on CIPA measurement conditions.
When using M.Zuiko Digital ED 12-100mm f/4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), with camera body IS set to Off, Frame rate: High
Lens IS Priority
Available

Shutter / Sequential ShootingJump to…

Shutter Type
Focal-plane shutter (mechanical shutter): 1/8000 – 60 sec., w/selectable EV adjustment steps (1/3, 1/2, 1)
Live Bulb / LiveTime: selectable exposure time (1/2/4/8/15/20/25/30 min.), with 8-min. default setting
Live Composite: 3 hours maximum shooting time
Electronic first curtain shutter (Anti-shock mode) : 1/320 – 60 sec
Electronic shutter (Silent mode): 1/32000 – 60 sec
Sequential Shooting Maximum Speed
[Sequential shooting H]approx. 15 fps w/selectable 10-15 fps
[Sequential shooting L]approx. 10 fps w/selectable 1-10 fps
[Anti-shock sequential shooting L]approx. 8.5 fps w/selectable 1-8 fps
[Silent sequential shooting H]approx. 60 fps with selectable 15, 20, 30, 60 fps
[Silent sequential shooting L]approx. 18 fps with selectable 1-10, 15, 18 fps [Pro Capture H]approx 60 fps with selectable 15, 20, 30, 60 fps
[Pro Capture L]approx 18 fps w/h selectable 1-10, 15, 18 fps
Max. Recordable Pictures in Sequential
[Sequential shooting H 15 fps] RAW: Max. 103 frames, JPEG (LF): Max. 132 frames
[Sequential shooting L 10 fps] RAW: Max. 287 frames, JPEG (LF): Until card is full
[Silent sequential shooting L 60 fps] RAW: Max. 49 frames, JPEG (LF): Max. 49 frames
[Silent sequential shooting L 18 fps] RAW: Max. 74 frames, JPEG (LF): Max. 89 frames
Sequential Shooting Frame Count
1 – 99 frames
Self Timer
Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)

Viewfinder / MonitorJump to…

Finder Type
Eye-level electronic viewfinder, approx. 2.36M dots
Field of View / Viewfinder Magnification
Approx. 100% / Approx. 1.48×1 – 1.65×2 (-1m-1, 50mm lens, Infinity)
1: Finder Style 1, 2 (aspect ratio 4:3) 2: Finder Style 3 (aspect ratio 4:3)
Eye Point / Diopter Adjustment Range
Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
Preview
Live View preview with depth of field preview lock
Display Grid
Off / normal grid / trichotomy /golden grid / scale / diagonal / m ovie grid
grid color is selectable”
Level Gauge
2-axis (horizontal / vertical) level gauge
One Touch Tele-Converter
Available (2x)
Finder Style
3 styles
Brightness / Color Temp Control
Adaptive brightness technology (EVF Auto Luminance) / 7 level manual brightness control / 7 level manual color temperature control
S-OVF (Simulated OVF)
Expands the Live View dynamic range.
Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
Rear Monitor Size
3.0-inch vari-angle monitor
Approx.1037k dots (3:2), electrostatic capacitance touch panel
Touch Control
Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls
Tilting Capability
Available (mirror display when monitor is in self portrait position)
Brightness / Color Temp Control (Rear Mo
7 levels / 7 levels
Color Tone Select
Vivid / Natural
Live View
Approx. 100% field of view,
exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
Live View Boost
Live View Boost 1 , Live View Boost 2 (For dark situations)
Settings can be specified for each shooting mode
Live View Boost 2: Frame Rate Priority or Quality Priority selectable
Off: Brightness in Live View shows specified exposure settings.

Exposure Control / FlashJump to…

Metering System
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering, spot metering with highlight control, spot metering with shadow control
Also available AF target spot metering
Metering Range
EV -2 – 20 (ISO approx.100, with a f/2.8 lens)
Exposure Mode / Shooting Mode
P: program AE (program shift can be performed),
A: aperture priority AE,
S: Shutter priority AE,
M: Manual,
B: Bulb (Live Bulb, Live Time and Live Composite are available),
Custom 1-4
ISO Sensitivity
AUTO ISO (default) : LOW (approx.64) – 6400 with customizable default and upper limit (200 – 6400)
Manual ISO : LOW (approx.64, approx.100), 200 – 25600 (adjustable in 1/3 or 1 EV steps)
Exposure Compensation
+/-5 EV, adjustable by 1/3, 1/2 or 1 EV steps
When shooting in HDR or in video, only adjustable up to +/- 3 EV steps
Live View only reflects up to +/- 3 EV steps
AE Lock
Locks with a half-press of the shutter button (can be set to AEL/AFL button as well)
Anti-Flicker Shooting
Available
Flash Intensity Control Mode
TTL Auto, Auto, Manual, Super FP(FP-TTL AUTO, FP-MANUAL)
Available on the external flash
Flash Mode
Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual (1/1(FULL)-1/64)
Synchronization Speed
1/250 sec.
Flash Intensity Control
Up to 3 EV in 1/3, 1/2, 1 EV steps selectable
Compatible External Flash
FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
Wireless Flash Control Method
Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR
External Flash Intensity Type
TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Channel No.
4 channels
Group No.
4 groups (External flash 3 groups + commander flash)
Radio Wireless Control
Available

Memory / Image Recording (File Format)Jump to…

Compatible Memory
SD, SDHC1, SDXC1
1 UHS-I,II compatible”
Recording Format
DCF2.0, Exif2.31
File Format
RAW (12-bit lossless compression), JPEG, RAW+JPEG
Recording Image Size
[RAW] 5184 x 3888 pixels
[JPEG] 5184 x 3888 pixels – 1024 x 768 pixels
Dual Card Slot Settings
Standard, Auto Switch, Dual Independent, Dual Same
When two cards are inserted, card to be saved on to or to be viewed can be designated.
Folder Creation and Selection
Available
Copy
Copy single file, copy multiple files, copy all
When copied, the new file will be given a different name from that of the original file.

White Balance / Color ModeJump to…

White Balance Mode
Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
White Balance Compensation
7 steps along A-B / G-M axis Except for Custom WB
Preset White Balance
7 preset WBs (3000K – 7500K)
– Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
CWB (Kelvin Setting)
2000 – 14000K
Capture White Balance
4 custom settings can be registered
Color Mode
sRGB, Adobe RGB

Bracketing / HDRJump to…

Exposure Bracketing
2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
ISO Bracketing
3 frames in 0.3/0.7/1.0EV steps selectable
White Balance Bracketing
3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
Flash Bracketing
3 frames in 0.3/0.7/1.0EV step selectable
Art Filter Bracketing
i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
Focus Bracketing
3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
Focus Stacking Mode
8 shots are taken at different focus points and automatically composited together into a single image
HDR (Auto Composite)
HDR1, HDR2 (painting-like)
Bracketing for HDR post-process
3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC.

Creative FeaturesJump to…

Picture Mode
i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
Gradation
Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
Highlight and Shadow Control
7 steps each for highlight, shadow, midtone
Picture Tone
Neutral, Sepia, Blue, Purple, Green for Monotone
Color Ring (for partial color)
18 color selectable
Live Bulb / Live Time
Update Interval Time – 0.5 sec 60 sec
Live Composite
Update Interval Time / composite method 0.5 sec 60 sec / Lighten Mode (Bright area prioritization)
Interval Shooting
Interval Time 1sec. – 24 Hours, Max 999 frames.
Available on making Time-lapse movie automatically
Multiple Exposure (number of pictures /
2 frames / Auto gain, Exposing on Recorded picture(RAW)
Fisheye Compensation
3 styles (can be confirmed in Live View)
Underwater correction compatible
Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used.
Live ND (Neutral Density)
Available
Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/30 (when ND2 is set) and the speed drops if the number of ND steps is raised
High Res Shot
Equivalent to 50 megapixels / 25 megapixels
Available in P/A/S/M mode, RAW+JPEG or JPEG.
JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 8160 x 6120
Flash can not be used
RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
Electronic Shutter 1/8000 – 60 sec.
Handheld High Res Shot
Equivalent to 50 megapixels / 25 megapixels
Available in P/A/S/M mode, RAW+JPEG or JPEG.
JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 8160 x 6120
Flash can not be used
RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
Electronic Shutter 1/8000 – 60 sec.
Keystone Compensation
Available (can be confirmed in Live View)
Horizontal and vertical compensation can be performed simultaneousy.

Video / Audio RecordingJump to…

Video Recording Format
MOV(MPEG-4AVC/H.264)
Movie Mode / Frame Rate / Compression
4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I),?IPB (S F, F, N)
Maximum Video Recording Time
Approx. 29min
Movie Tele-converter
Approx. 3x (enlarges view of selected area)
Art Filter Movie
Available
(Frame rates may drop when certain Art Filters are used)
Movie Effect
One-shot Echo / Multi-echo / Art Fade / Old Film
Time-lapse Movie
[AVI ]
3840×2160(4K ) 5fps
1920×1080(FHD)/ 5fps,10fps,15fps
1280×720(HD / 5fps,10fps,15fps,30fps
Quick Movie / Slow Movie
With (Both or either of the two may not be available depending on the frame rates.
High speed movie
120fps (1920 1080/MOV)
IS for Movie
M-IS1(Image sensor shift and electronic image stabilizer with multi motion IS),
M-IS2(Image sensor shift with multi motion IS), Off
While using M-IS1, field of view may be affected. “
AE Lock
Available
Video Exposure Control
Program AE, aperture priority AE, shutter priority AE, manual
Grid Lines / Focus Peaking
4 types of grid lines / 4 colors for focus peaking
Time Code
Rec run/free run, drop frame/non-drop frame
Live View Output via HDMI
Monitor Mode (outputs video and info display to a connected monitor) 1
Record Mode (outputs video only, with no info display) 2
1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two.
2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
Movie Picture Mode
Flat,OM-Log400
View assist compatible
Audio Recording Format
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
Microphone / Speaker
Built-in stereo microphone / built-in mono speaker
External stereo microphone can be attached
Microphone Function
Wind noise reduction, recording volume, microphone volume limiter
Audio dubbing possible for still pictures (up to 30 sec.)
May affect audio quality.
IC Recorder Linkage
Slate Tone / Synchronized Audio Rec-Movie Rec
LS-100 compatible

OperabilityJump to…

GPS Info Function
Available (Via GPS smartphone)
Built-in GPS info given priority
Wireless Shooting
Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off
P / A / S / M / B and drive mode can be selected.
Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.
Image Share
File Type: JPEG, MOV
Marking function for image share.
Easy Connection
Connect using a QR code
Connect using Bluetooth (View, Transfer only. Enabled from the second time)
Tethered Shooting
Via USB cable (camera can be operated by both PC or camera controls)
Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
GPS / Field Sensor System
GPS (GLONASS,QZSS), compass, manometer, temperature sensor, Acceleration sensor
Playback Mode
Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x – 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), Light Box display
Information Display
Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF

CustomJump to…

My Menu
35 items in 5 tabs with 7 items each
Mode dial my set
4 types of settings can be configured to C1-C4 modes on mode dial.
Menu custom set
Available (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes.
Some items including shooting mode may not be called up.
Dial customization
Dial function and dial direction are customizable for both dials
Lever customization
Select assignment from 3 different modes, power switch, or off (no function assignment)
Button Customization
Up to 39 functions can be assigned to buttons
Up to 24 functions can be assigned for movie recording
Buttons on lenses can also be customized from the camera
Some buttons may have restrictions to what functions can be assigned
Copyright Settings/Lens info Settings
With / With (save up to 10 lenses)
Menu Languages (34 selectable)
English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power RequirementsJump to…

USB Connector
USB Type-C
Remote Connector
f2.5Pin Jack (when using separately available RM-CB2).
HDMI Connector
Micro HDMI (type D)
Flash Attachment
Hot shoe, sync terminal
Wireless LAN
Built-in (IEEE 802.11b/g/n/ac)
MIC Input Jack
f3.5 stereo mini jack (plug-in power on/off)
Headphone Jack
f3.5 stereo mini jack
PC Interface
SuperSpeed(USB3.0)
TV Interface
Not Available
Battery
Two BLH-1 Li-ion batteries (included)
Battery Status Display
Remaining power (4 steps, %, or by-minute display), shot count, degradation
AC Adapter
AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
USB Bus Power
A USB PD bus power can be used
USB Charging
Built-in battery is charged with AC-5 / USB
Sleep Mode
Available (1/3/5 min. off)
Number of Recordable Pictures
Approx. 870 shots (using 2 BLH-1 and Toshiba SDXU-D032G with IS ON, with no flashes attached, based on CIPA test standards)
Battery Life for Movie Recording
Approx. 170 minutes (under standard JEITA testing)

BatteryJump to…

Battery Info
required, included
Battery Material
lithium ion
Battery Type
non-universal
Battery Quantity
1

Weights & Dimensions / Operating EnvironJump to…

Weight
Approx. 35 oz / 997g (with 2 BLH-1 batteries and 2 Memory cards, based on CIPA standards, without eyecup)
Dimensions (W x H x D)
5.66 x 5.77 x 2.96″ / 144.4 x 146.8 x 75.4
Environmentally Sealed
Dust, Splash (IPX1), Freezeproof
Operating Temperature Range
-10 C ~ +40 C (when in operation) / -20 C ~ +60 C (when stored)
Operating Humidity Range
30 – 90% (when in operation) / 10 – 90% (when stored)
Box Contents
Body, USB cable, cable clip, cable protector, shoulder strap, instruction manual, warranty card, BLH-1 Li-ion battery (Two) , BCH-1 Li-ion battery charger (Two)

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