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Sony Alpha a7R IV Mirrorless Digital Camera Body (V2) with VG-C4EM Vertical Grip

Original price was: €3,500.00.Current price is: €2,800.00.
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Sony Alpha a7S III Mirrorless Digital Camera Body

Original price was: €3,100.00.Current price is: €2,450.00.
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Sony Alpha a7S III Mirrorless Camera Body with Capture One, 64GB SD Card

Original price was: €3,200.00.Current price is: €2,550.00.

About Sony Alpha a7S III

a7S III with pro movie/still capability
Designed for professionals, the a7S III builds on the strengths of the S series, such as high sensitivity and wide dynamic range, while providing pro features like enhanced AF, optical image stabilization and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.New image sensor with double the readout speed
The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the a7S II, along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

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Description

New image-processing engine with up to 8x the processing performance
The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimizing latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range
The full-frame 12.1-megapixel3 configuration enables high sensitivity with low noise throughout the camera’s sensitivity range by optimizing the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera’s high sensitivity and wide dynamic range expand your creative freedom during shoots.

Full-frame 4K recording at 120p
Full-frame 4K recording at 120 fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to 5x slower than real time)5, as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the a7S III’s compact size, it provides impressive scope for your creativity.

Recording movies with 10-bit depth and 4:2:2 color sampling
The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 color sampling when using either Long GOP or All Intra compression. This makes it possible to push your color grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

All-Intra internal recording
In addition to Long GOP inter-frame compression, the a7S III supports internal intra-frame (All-Intra) recording6 for the first time in an a-model body, where each frame is recorded independently at a high bitrate of up to 600 Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.
[1] All-Intra (All-I)
[2] Long GoP [3] Group of Pictures.

HEVC codec with high compression efficiency
Available for the first time, XAVC HS-format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering

16-bit RAW data output
Facilitating improved image quality and more flexible and efficient editing in post-production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the a series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of frame rates (60p/50p/30p/25p/24p)

S-Log2 and S-Log3 with 10 bit 4:2:2 support
S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-gray range (18% gray), enabling a dynamic range of up to 15 stops. Three color gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colors of footage shot with Sony’s professional cinema cameras. Because the colors match, color grading is easier in post-production editing, making it more convenient to use the a7S III along with other pro cameras.

Proxy recording for more efficient editing workflow
When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)

10-bit HLG picture profile
An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.
[1] High flexibility to fine-tune images as desired (color grading required)
[2] Instant high-quality image (color grading not required).

Enhanced movie image quality
Thanks to the improved capabilities of the a7S III’s new image-processing engine, colors and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the a7S II.

Fast Hybrid AF for dependable focus during movie shooting
Inheriting technology and performance standards from Sony’s large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses’ smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customizable button.

AF support in manual-focus mode
The camera’s autofocus support can be useful even when you’re primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

Game-changing tracking features to revolutionize movie shooting
Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on color, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you’re shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you’re shooting manually.

Active Mode optical image stabilization for handheld shooting
Relying on a new high-precision stabilization unit, gyro sensors, and optimized image stabilization algorithms, the camera’s Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilization it’s possible to shoot with the camera only, taking advantage of the compact size and mobility of the a system. [1] Track of camera shake [2] Standard [3] Active.

Enhanced audio quality
A digital audio interface is incorporated in the camera’s Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adapter Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adapter Kit required for the latter two formats.

New heat-dissipation design for extended recording times
The camera’s design has been optimized to prevent overheating even during extended recording sessions. A unique Sony sigma shaped graphite-alloy heatsink is built into the image stabilization unit, allowing the sensor to dissipate heat five times more effectively than in previous models11, while allowing it to move freely and avoiding interference with the stabilization system.

Designed for smooth movie-making
Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen.

Features

Sony Alpha a7S III Features

  • 12.1MP Exmor R sensor, optimized for 4K, sensitivity and speed
  • New BIONZ XR processing engine delivers 8x more processing power
  • Low noise images w/ ISO up to 409,600 and 15+stop dynamic range
  • Up to 4K 120p 10-bit 4:2:2 and full pixel readout in all rec. modes
  • Up to 4K 120p in XAVC S (AVC), XAVC HS (HEVC) and XAVC S-I (All-I)
  • Up to 4K 60p 16-bit RAW video output via HDMI Type-A connector
  • Effective internal heat dissipation enables 1-hour 4K 60p recording
  • Fast readout for high frame rates, faster AF, minimal rolling shutter
  • Sensor Size: Full Frame Camera Format
  • Resolution: 12 MP
  • Max Video Quality: 4K 60fps
  • In-Body Stabilization: 5-Axis Digital
  • Configuration: Body Only
  • WiFi: Yes

Spesifications

Sony Alpha a7S III Specifications


GeneralJump to…

Camera type
Interchangeable lens digital camera
Lens Mount
E-mount

Image SensorJump to…

Type
35mm full frame (35.6 x 23.8mm), Exmor R CMOS sensor
Number of Pixels (Effective)
Approx. 12.1 megapixels
Number of Pixels (total)
Approx. 12.9 megapixels
Aspect Ratio
3:2
Color filter
R, G, B primary color
Anti-Dust System
Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

Recording System (Still Image)Jump to…

Recording Format
JPEG (DCF Ver. 2.0, Exif
Ver. 2.32, MPF Baseline compliant)
HEIF (MPEG-A MIAF compliant)
RAW (Sony ARW 4.0 format compliant)
Image Size (pixels) [3:2]
35mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M)
APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M)
Image size (pixels) [4:3]
35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M)
APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)
Image Size (pixels) [16:9]
35mm full frame L: 4240 x 2348 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M)
APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)
Image size (pixels) [1:1]
35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M)
APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)
Image Quality Modes
RAW (Compressed / Uncompressed)
JPEG (Extra fine / Fine / Standard)
HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard)
RAW & JPEG
RAW & HEIF
RAW Output
Yes
Creative Look
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Picture Profile
Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Dynamic Range Functions
Off, Dynamic Range Optimizer
Color Space
sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color. BT.2020 standard.

Recording System (Movie)Jump to…

Recording Format
XAVC S
XVAVC HS
Video Compression
XAVC S: MPEG-4 AVC/H.264
XAVC HS: MPEG-H HEVC/H.265
Audio Recording Format
LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit), LPCM 4ch(48kHz 24bit), MPEG-4 AAC-LC 2ch
Creative Look
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Picture Profile
Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Color Space
BT.2020 standard compatible with TRILUMINOS Color
Movie recording system (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.):
120p (200Mbps)
60p (150Mbps)
30p (100Mbps / 60Mbps)
24p (100Mbps / 60Mbps)
3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps)
50p (150Mbps)
25p (100Mbps / 60Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.):
120p (280Mbps)
Movie recording system (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.):
120p (200Mbps)
60p (150Mbps)
30p (100Mbps / 60Mbps)
24p (100Mbps / 60Mbps)
3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps)
50p (150Mbps)
25p (100Mbps / 60Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.):
120p (280Mbps)
Movie recording system (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.):
60p (600Mbps)
30p (300Mbps)
24p (240Mbps)3840 x 2160 (4:2:2, 10bit, PAL) (Approx.):
50p (500Mbps)
25p (250Mbps)
Movie recording system (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.):
Movie recording system (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.):
Movie recording system (XAVC HS 4K)
3840×2160 (4:2:0, 10bit, NTSC) (Approx.):
120p (200Mbps)
60p (150Mbps / 75Mbps / 45Mbps)
24p (100Mbps / 50Mbps / 30Mbps)
3840 x 2160 (4:2:0, 10bit, PAL) (Approx.):
100p (200Mbps)
50p (150Mbps / 75Mbps / 45Mbps)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.):
120p (280Mbps)
60p (200Mbps / 100Mbps)
24p (100Mbps / 50Mbps)
3840 x 2160 (4:2:2, 10bit, PAL) (Approx.):
100p (280Mbps)
50p (200Mbps / 100Mbps)
Movie recording system (XAVC S HD)
1920×1080 (4:2:0, 8bit, NTSC) (Approx.):
120p (100Mbps / 60Mbps)
60p (50Mbps/25Mbps)
30p (50Mbps / 16Mbps)
24p (50Mbps)
1920 x 1080 (4:2:0, 8bit, PAL) (Approx.):
100p (100Mbps / 60Mbps)
50p (50Mbps / 25Mbps)
25p (50Mbps / 16Mbps)
1920 x 1080 (4:2:2, 10bit, NTSC)
(Approx.):
60p (50Mbps)
30p (50Mbps)
24p (50Mbps)
1920 x 1080
4:2:2, 10bit, PAL) (Approx.):
50p (50Mbps)
25p (50Mbps)

Slow & Quick Motion (S&Q)Jump to…

Image frame rate
NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps
PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps *4

Movie FunctionJump to…

Audio Level Display
Yes
Audio Rec Level
Yes
PAL/NTSC Selector
Yes
Proxy Recording
Yes (1280 x 720 (Approx. 6Mbps), 1920 x 1080(Approx. 9Mbps), 1920 x 1080(Approx. 16Mbps))
TC/UB
Yes
Auto Slow Shutter
Yes
Gamma Disp. Assist
Yes
RAW Output
Yes (HDMI)

Recording SystemJump to…

Location Link from smartphone
Yes
Media
SD memory card
SDHC memory card (UHS-I/II compliant)
SDXC memory card (UHS-I/II compliant)
CFexpress Type A memory card
Memory Card Slot
SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card
Recording mode on 2 memory cards
Simult. Rec, Sort, Auto Switch Media, Copy
File system
FAT12, 16, 32, exFAT
Noise Reduction
Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.
High ISO NR: Normal / Low / Off

White BalanceJump to…

White Balance Modes
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Shutter AWB Lock
Yes (Shut. Halfway Down / Cont. Shooting / Off)

Focus SystemJump to…

Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Sensor
Exmor R CMOS sensor
Focus Point
35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)
Focus Sensitivity Range
EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus Mode
AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area
Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
Eye AF
[Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)
Other Features
Predictive control
Focus lock
AF Track Sens. (Still)
Other Features
Predictive control
Focus lock
AF Track Sens. (Still)
AF Illuminator
Yes (with Built-in LED type)
AF Illuminator range
Approx. 0.3m – approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)
Focus type with LA-EA3 (Sold separately)
Phase-detection

Exposure ControlJump to…

Metering Type
1200-zone evaluative metering
Metering Sensor
Exmor R CMOS sensor
Metering Sensitivity
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Metering Mode
Multi-segment
Center-weighted
Spot (Standard / Large)
Spot
Metering Mode
Multi-segment
Center-weighted
Spot (Standard / Large)
Spot
Exposure Modes
AUTO (iAuto)
Programmed AE (P)
Aperture priority (A)
Shutter-speed priority (S)
Manual (M)
Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
Exposure Compensation
+/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))
Exposure Bracketing
Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)
AE Lock
Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
ISO sensitivity (xposure Index)
Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit)
Anti-flicker Shoot.
Yes

ViewfinderJump to…

Viewfinder Type
1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)
Number of Dots
9,437,184 dots
Control function
Brightness, Color temperature, Magnifi.
Field Coverage
1
Magnification
Approx. 0.90x (with 50mm lens at infinity, -1m-1)
Diopter Adjustment
-4.0 to +3.0m
Eye Point
Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)
Display function
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasezed display during REC
Finder Frame Rate Selection
NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

LCD ScreenJump to…

Type
7.5cm (3.0-type) type TFT
Touch Panel
Yes
Number of Dots
1,440,000 dots
Brightness Control
Manual (5 steps between -2 and +2), Sunny Weather mode
Display function
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, For viewfinder, Monitor Off, Emphasezed display during REC
Adjustable Angle
Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
Focus Magnifier
Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

Face DetectionJump to…

Face Detection
Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

Other FeaturesJump to…

Interval recording
Yes
ISO AUTO Min. SS
Yes
Bright Monitoring
Yes
Copyright Info
Yes
Set File Name
Yes
Save/Import Settings
Yes
Help guide
Yes
Video Light Mode
Yes
Zoom Ring Rotate
Yes

Clear Image ZoomJump to…

Still images
Approx. 2x
Movies
Approx. 1.5x (4K), Approx. 2x (HD)

Digital ZoomJump to…

Smart zoom (Still images)
35mm full frame: M: approx. 1.5x, S: approx. 2x APS-C: M:approx. 1.3x, S: approx. 2x
Digital zoom (Still images)
35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x
APS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x
Digital zoom (Movie)
35mm full frame: approx. 4x
APS-C: approx. 4x

ShutterJump to…

Type
Electronically-controlled, vertical-traverse, focal-plane type
Shutter Type
Mechanical shutter / Electronic shutter
Shutter Speed
Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
Flash Sync. Speed
1/250 sec.
Electronic Front Curtain Shutter
Yes (ON/OFF)
Silent Shooting
Yes (ON/OFF)

SteadyShot INSIDE (Image Stabilization)Jump to…

Type
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Compensation Effect
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)
Mode
[Still images] On / Off, [Movie] Active / Standard / Off

FlashJump to…

Control
Pre-flash TTL
Flash Compensation
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Flash Modes
Flash off
Autoflash
Fill-flash
Slow Sync.
Rear Sync.
Red-eye reduction (on/off selectable)
Wireless
Hi-speed sync.
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe
FE Level Lock
Yes
Wireless control
Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

DriveJump to…

Drive Modes
Single Shooting
Continuous shooting (Hi+/Hi/Mid/Lo selectable)
Self-timer
Self-timer (Cont.)
Bracket: Single
Bracket: Cont.
White Balance bracket
DRO bracket
Self-Timer
10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer
Continuous Drive Speed (approx. max.)
Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
No. of recordable frames (approx.)
JPEG Extra fine L: over 1000 frames
JPEG Fine L: over 1000 frames
JPEG Standard L: over 1000 frames
RAW: over 1000 frames
RAW & JPG: over 1000 frames
RAW (Uncompressed): over 1000 frames
RAW (Uncompressed) & JPG: over 1000 frames

PlaybackJump to…

Modes
Single (with or without shooting information Y RGB histogram & highlight / shadow warning)
Index view
Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x)
Auto Review
Image orientation
Folder selection (Date / Still / Movie)
Protect Rating
Display as Group
Photo Capture
Yes

InterfaceJump to…

PC Interface
Mass-storage / MTP
Multi / Micro USB Terminal
Yes
USB Type-C Terminal
Yes (SuperSpeed USB 5Gbps (USB 3.2) compatible)
NFC
Yes (NFC forum Type 3 Tag compatible)
Wireless LAN (Built-In)
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))
Bluetooth
Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))
HD Output
HDMI connector (Type-A)
3840 x 2160 (60p / 50p / 30p / 25p / 24p) / 1920 x 1080 (60p / 50p / 24p) / 1920 x 1080 (60i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
4264 x 2408 (60p / 50p / 30p / 25p / 24p), Raw 16bit
Multi Interface Shoe
Yes (with Digital Audio Interface)
Mic Terminal
Yes (3.5 mm Stereo minijack)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Remote Control (Wireless)
Yes (IR remote control / Bluetooth remote control)
Vertical Grip Connector
Yes
Functions
FTP Transfer Func.(Wired LAN(USB-LAN), USB Tethering, Wi-Fi)
View on Smartphone
Remote control via Smartphone
NFC One-touch remote
PC Remote BRAVIA Sync (Control for HDMI)
PhotoTV HD
NFC One-touch sharing

AudioJump to…

Microphone
Built-in, stereo
Speaker
Built-in, monaural

PrintJump to…

Compatible Standards
Exif Print, Print Image Matching III

Custom FunctionJump to…

Custom key settings
Yes
My Menu
Yes
My Dial Settings
Yes
Reg Cust Shoot Set
Yes
Programmable Setting
Yes (Body 3 sets /memory card 4 sets)

Lens CompensationJump to…

Lens compensation
Peripheral Shading, Chromatic Aberration, Distortion

PowerJump to…

Supplied Battery
One rechargeable battery pack NP-FZ100
Battery Life (Still Images)
Approx. 510 shots (Viewfinder) / approx. 600 shots (LCD monitor) (CIPA standard)
Battery Life (Movie, actual recording)
Approx. 80 min. (Viewfinder) / Approx. 95 min. (LCD monitor)
(CIPA standard)
Battery Life (Movie, cont. recording)
Approx. 130 min. (Viewfinder) / Approx. 135 min. (LCD monitor)
(CIPA standard)
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
USB Power supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Power ConsumptionJump to…

Power consumption with Viewfinder
Still images: approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Power consumption with LCD screen
Still images: approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

EnvironmentalJump to…

Operating Temperature
32 – 104 degrees F (0 – 40 degrees C)

PhysicalJump to…

Battery Info
Required, Included
Battery Material
Lithium-Ion
Dimensions (W x H x D)
5.12 x 3.87 x 3.25″ (128.9 x 96.9 x 80.8mm)
5.12 x 3.87 x 2.75″ (128.9 x 96.9 x 69.7mm) From Grip to Monitor
Weight
1.35 lbs (614g) Body
1.54 lbs (699g) with battery and memory card included

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